The fantastic thing about podcasting is that anybody can do it. It’s a uncommon medium that’s almost as simple to make as it’s to eat. And as such, no two folks do it precisely the identical method. There are a wealth of {hardware} and software program options open to potential podcasters, so setups run the gamut from NPR studios to USB Skype rigs (the latter of which turned a sort of default through the pandemic).
This week, we spoke to Jody Avirgan, who co-hosts “Summer time Album / Winter Album” with the frontman of the American indie rock band The Maintain Regular, Craig Finn. Every episode finds Avirgan and Finn debating whether or not a traditional report must be categorized as a “summer time album” or “winter album.”
Avirgan – who beforehand hosted exhibits for Radiotopia, TED, FiveThirtyEight, and ESPN – instructed us about his podcasting set-up of alternative. Right here he’s in his personal phrases:
“Even once I labored at ESPN/FiveThirtyEight, I all the time had a house recording setup. Since leaving — which occurred to coincide with the beginning of the pandemic — I’ve made my basement recording studio my primary residence. It’s truly the kitchen of a basement studio condominium, so simply off-frame, behind some curtains, is a fridge (unplugged), sink, and plenty of cupboards.
“However I’ve hung tons of curtains, scattered tender issues round, and put some sound dampening panels up. I believe it’s now each cozy and fairly warm-sounding. My mic is an Electro-Voice RE27N/D, a $500 studio mic.
“To be clear: I don’t make RE27 cash. We purchased this mic once I was internet hosting 30 for 30. I left ESPN three weeks earlier than the pandemic hit, and someplace in there I wrote them an electronic mail asking in the event that they needed me to return the mic. I by no means bought a response, and I actually didn’t write a follow-up. So I saved it. That is in all probability why Disney inventory is down 20% over the past 5 years. It’s a really heat mic, however it’s a behemoth.
“After I’m on the street, I pack an AT2020-USB+, which plugs proper into my laptop and I can knock out monitoring from wherever — normally underneath a blanket in a resort closet, which is a podcaster’s pure habitat.
“I run my mic by way of the FocusRite Scarlett 2i2, a easy however mighty interface that lets me management my mic ranges and route proper into my laptop, the place I’m usually becoming a member of folks over Zoom or Riverside. I all the time report a neighborhood backup file utilizing Hindenburg, which I then save to Dropbox. All roads finally result in Dropbox.
“The one place I deviate from the everyday Podcaster 101 equipment is in my headphones. Everybody has the Sony MDR-7506, and I’ve run by way of my fair proportion of these, however I actually just like the Rode NTH-100 headphones. They’re just a bit extra comfy, look slightly slicker, and thus far the padding hasn’t damaged down in the way in which that the padding on the Sony’s inevitably does, main one to seek out little black flecks of their ears after taping.
“Like lots of podcasters, I’ve been doing an increasing number of video stuff these days. I’ve used Descript for years, however because the worlds of audio and video have merged, I do nearly all my modifying in it at this level. I make social movies of our conversations for “This Day” and “Summer time Album / Winter Album,” but in addition unique stuff I’ve been enjoying with on Instagram.
“I’m doing a collection every week the place I attempt to guess the title of that week’s New Yorker cowl, and I report that proper into Descript and switch it round in like 20 minutes utilizing a template I constructed. Descript — I’m a giant fan. It’s very versatile, and it’s good to work with a program that appears to provide a crap about what podcasters need, versus ProTools.
“I suppose I’ve had to consider my visible setup a good quantity, too. I purchased the webcam that the Wirecutter really useful, however actually I favor the look of the MacBook digital camera, so I normally simply use that. In my background, I put some books to show that I understand how to learn; a signed photograph of George Mikan, about whom there was a operating bit in “Demise At The Wing” — and $28 value of pretend crops from Ikea.
“I block the view so I don’t assume folks may even see that the crops are there; however I prefer to know that they’re there, and can all the time be there, due to eternally plastics.”
We’ve beforehand requested others of our favourite podcast hosts and producers to focus on their workflows — the gear and software program they use to get the job achieved. The listing thus far contains:
